For the poet from Mixcoac, the game was a foundational “L”–ement of creation and culture. The “L”–ement brings to mind the “L,” a line that curves, dribbles, and shoots through the hoop. In keeping with this logic, and like that of a Huizinga or a Caillois upon the ludic sense of culture, this work reveals an interplay of relationships and analogies equivalent to the free movement of volatile spheres in a ball game or in a roll of the dice.